I have always enjoyed the
Kirby franchise and Kirby Super Star is easily my favourite game of
the series. When I was growing up, Kirby Super Star was the game my
brother and I played because it was the ideal two player co op game.
Kirby games have that special charm to it. They can be cutesy, easy
going games, yet at the same time, can be one of the more brutally
challenging games, making you want to throw your controller or
handheld in a fit of rage (looking at you The True Arena).
The team behind this
album, as led by both halc9 and Arek the Absolute did a wonderful job
on this album. Each of the songs have been beautifully redone in the
arrangers style and for the most part they performed admirably. There
are a couple of missteps along the way, but nothing that ruins the
album.
Going along the album I
am having a hard time figuring out which song of the 23 is my
favourite. They all have something special to offer to the listener
and some of the songs are so different the from the original, that
they could almost be considered original compositions.
By far my favourite album
is actually a tie between The Ballad of Meta Knight by halc, and
Kirby no Nozomi by OverCoat.
The Ballad of Meta Knight
reminds me a lot of either a Cave Story song or a track from Yoshi's
Island two games which have been woefully neglected in the music
community. This song feels less like the end of Revenge of Meta
Knight's role call and more like a stage theme. Specifically an
underground theme. The music gives a feeling of melancholy with a
slight bit of desperation, which I have always associated with cavern
stages. halc did a fantastic job on this track and of all the music
he produced for this album The Ballad of Meta Knight is my favourite.
Kirby no Nozomi is the
opposite of the Ballad of Meta Knight in how the music makes me feel.
Whereas the latter song invoked feelings of desperation, Kirby no
Nozomi seems to incite the feelings of childlike awe. This song would
not seem out of place in a Brawl in the Family strip where Kirby and
his Dreamland friends are star gazing on a hill. It is a very
peaceful song and easily the best song to start the album off.
OverCoat did a fantastic job on the track. This is a song I could
easily put on repeat for an hour and not get tired of.
I think the weakest song
of the album would be So Easy from PrototypeRaptor. In the song, it
is sung from the perspective of King DeDeDe. It doesn't portray the
portly penguin as a sympathetic character, but far more egotistical
and tough then what he truly is. In the song King DeDeDe verbally
attacks Kirby for a myriad of reasons, trying to break down the pink
puffball. But all it does is showcase DeDeDe as nothing but a bully
full of hot air. The song is okay, but I am not too fond of the
lyrics, but at the same time, it is the lyrics that complete this
song. If you are fond of this type of music then you will enjoy, it
is just not my type.
Another slight misstep is
that the group didn't have CarboHydroM on staff to do the last song.
I am not saying Ergosonic's version of the Staff Credit Roll song is
bad, I do enjoy it very much, but when comparing his and
CarboHydroM's version, I feel that latter is the superior version. As
I said, I do enjoy Ergosonic's take on the song, but I can't help but
compare it to CarboHydroM's version.
So how does this tribute
album stack up? It's pretty good. A nice variety of genre's of course
and you can tell that over the 8 years, a lot of work went into the
album. Aside from the music, I absolutely love the art that
accompanied the album. It is very reminiscent of the old Kirby
Dreamland games.
If you are a video game
music fan with Kirby lacking in your collection then this album is
defiantly worth a pickup. You can grab the album off of the Kirby
Tribute website.
This is Daimo Mac and I
am lost in the music.
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