Let's take a trip back to 1499. It was
the time of change in Europe. People had rediscovered their heritage
and embraced it. Great works of art depicting Biblical events became
the norm. Artists were the veritable rock stars of that age. If you
had the talent, and had a high paying patron and be set for life.
Many writers use this age as a backdrop for romance novels; where a
young man would sneak into the bed chamber of his maiden and the two
would make love well into the night. This was the Renaissance.
I've talked about Assassin's Creed
series before and how much I love Jesper Kyd's work on the series.
Since playing Assassin's Creed III, I have compared the soundtracks
from all 3 main releases and still the second game's soundtrack is
the best. Jesper Kyd made it sound like I was in Renaissance Italy
and was wandering the streets of Florence.
Crowning Music of Awesome was
originally set up to be a series that highlighted a single great song
from an album and there have been times that I have been hard pressed
to find a song that stands out. Today's is no different because there
are three songs on this album that easily vie for the number 1 spot.
They aren't even unique songs. The three songs; Heart, Venice
Rooftops and Ezio's Family all have a similar tune in each song. One
of the song's give off an otherworldly feeling while the second song
is more high paced while the third is a far more somber song. So
today I will be talking about all three.
Starting off the list is Heart. As I
said, this song has a more other worldly feel to it and given the
revelation at the end of Assassin's Creed II, I have no idea if this
could be considered foreshadowing or not. The song doesn't foretell
anything. At this point the player isn't aware of any weird
shenanigans going on. Of course after the scene in Rome, this song
seems to work. It is supposed to symbolize the more ethereal nature
of the game. Of course going into Assassin's Creed II without playing
the first one could have you cry out in surprise and possible
frustration at the game's twist ending.
The second song is Venice Rooftops,
which feels far more action packed then Heart. There is no subtlety
here. This is a song you listen to when you are sprinting across the
Florentine rooftops trying to evade the city guard. There is no hint
to otherworldly shenanigans. It is just you versus the world and you
are currently kicking it's ass.
The final song in this trifecta is
Ezio's Family. This song carry's the seem tune but is far more warm
and loving. It's a song that would fit the ending scene of a movie.
It gives the player closure, knowing that they had won and could
reclaim his life before fighting an invisible war. It's a beautiful
piece.
All three songs have the same recurring
musical theme which binds them together. To review them separately
would not be fair as they need each song for it to work. While the
songs appear separately in the game and appearing in different
scenarios, listening to it consecutively is far better. It set's up
the songs as a story; Heart is the first act, Venice Rooftops is the
second act and story climax and finally Ezio's Family is the
epilogue. Music can tell a story and that exactly what these three
songs did.
This is Daimo Mac and I am lost in the
music.
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